SHORT STORIES “And the Wind Passes Dancing…” by Massimo Soumaré, translated from Italian by Toshiya Kamei (Unreal Magazine, January 1). “The Talus of Madame Liken” by Asja Bakić, translated from the Croatian by Jennifer Zoble (World Literature Today, January) “The Eternal Idol” by Amélie Olaiz, translated from the Japanese
SHORT STORIES “Master Zhao: The Tale of an Ordinary Time Traveler” by Zhang Ran, translated from the Chinese by Andy Dudak (Clarkesworld Magazine, December 1) “Us and Them” by Swylmar dos Santos Ferreira, translated from the Portuguese by Toshiya Kamei (Aphelion, December) “Fluxless” by Mike Jansen, translated from the Dutch
SHORT STORIES “The Facecrafter” by Anna Wu, translated from the Chinese by Emily Jin (Clarkesworld, October 1) “Health for All” by Yoss, translated from the Spanish by George Henson (World Literature Today, October 25) “Our Lady of the Scales“ by Mélanie Fazi, translated by Edward Gauvin (World Literature Today,
Recently, I had the privilege of discussing the French origins of science fiction with the talented and prolific author and translator Brian Stableford. His work on the history of SF and his translations of French proto-SF are critical for our understanding of how the genre developed and what its future might hold. SFT:
FICTION “Farewell, Doraemon,” by A Que, translated from the Chinese by Emily Jin and Ken Liu (Clarkesworld Magazine, May 1) “Night-Journey” of the Dragon Horse” by Xia Jia, translated from the Chinese by Ken Liu (Lightspeed, May 10) reprint “Impress Me, Then We’ll Talk About the Money” by
A prolific sf author in his own right, Brian Stableford has also translated an astonishingly large number of works of early French speculative fiction for Black Coat Press. And when I say “astonishingly large,” I mean there are so many stories and novels that I’m just going to list a selection here. He’s also
