“One Flew Over the Songhua River” by Qi Ran, translated from the Chinese by Andy Dudak (Clarkesworld, March 1) Through the Night Like a Snake: Latin American Horror Stories, ed. Two Lines Press, various translators (Two Lines Press, March 12) In ten chilling stories from this ensemble cast of contemporary Latin American writers, horror infiltrates
SHORT STORIES “Cousin Entropy” by Michèle Laframboise, translated from the French by N. R. M. Roshak (Future Science Fiction Digest, June 15). “The Fastener” by Natsumi Tanaka, translated from the Japanese by Toshiya Kamei (Daily Science Fiction, June). “Zoo Syndrome” by Sadaa al-Daas, translated from the
SHORT STORIES/EXCERPTS “The Language Sheath” by Regina Kanyu Wang, translated from the Chinese by Emily Jin and Regina Kanyu Wang (Clarkesworld Magazine, May 1). Excerpt from Vagabonds by Hao Jingfang, translated from the Chinese by Ken Liu (LitHub, May 12). “Two Moons” by Elena Pavlova, translated
SHORT STORIES “Debtless” by Chen Qiufan, translated from the Chinese by Blake Stone-Banks (Clarkesworld Magazine, April 1). “The Green Hills of Dimitry Totzkiy” by Eldar Safin, translated from the Russian by Alex Shvartsman (Samovar, April). NOVELS Vagabonds by Hao Jingfang, translated from the
Each month, Daniel Haeusser reviews short works of SFT that appear both online and in print. He is an Assistant Professor in the Biology Department at Canisius College, where he teaches microbiology and leads student research projects with bacteria and bacteriophage. He’s also an associate blogger with the American Society for Microbiology’s popular Small Things Considered.
SHORT STORIES “The Loneliest Ward” by Hao Jingfang, translated from the Chinese by Ken Liu (Clarkesworld Magazine, August 1) “The Mauve Planet” by Safia Ketou, translated from the French by Nadia Ghanem (Arablit.org, August 13) Excerpt from The Man at One Kelvin Degrees by Piero Schiavo Campo, translated from the
Review at Tor.com: “The Lyricism and Pathos of Chinese SF: Invisible Planets, Edited and Translated by Ken Liu”
